- published: 29 Mar 2012
- views: 2547
Dis or DIS may refer to:
Music is an art form and cultural activity whose medium is sound and silence. The common elements of music are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements. Music is performed with a vast range of instruments and with vocal techniques ranging from singing to rapping, and there are solely instrumental pieces, solely vocal pieces and pieces that combine singing and instruments. The word derives from Greek μουσική (mousike; "art of the Muses"). In its most general form, the activities describing music as an art form include the production of works of music (songs, tunes, symphonies, and so on), the criticism of music, the study of the history of music, and the aesthetic examination of music. Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as "the harmony of the spheres" and "it is music to my ears" point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, "There is no noise, only sound."
Originality is the aspect of created or invented works by as being new or novel, and thus can be distinguished from reproductions, clones, forgeries, or derivative works. An original work is one not received from others nor one copied from or based upon the work of others.. It is a work created with a unique style and substance. The term "originality" is often applied as a compliment to the creativity of artists, writers, and thinkers. The idea of originality as we know it was invented by Romanticism, with a notion that is often called romantic originality.
The concept of originality is culturally contingent. It became an ideal in Western culture starting from the 18th century. In contrast, at the time of Shakespeare it was common to appreciate more the similarity with an admired classical work, and Shakespeare himself avoided "unnecessary invention".
In law, originality has become an important legal concept with respect to intellectual property, where creativity and invention have manifest as copyrightable works. In the patent law of the United States and most other countries, only original inventions are subject to protection. In addition to being original, inventions submitted for a patent must also be useful and nonobvious.
Shia Saide LaBeouf (i/ˈʃaɪ.ə ləˈbʌf/; born June 11, 1986) is an American actor, performance artist, and director who became known among younger audiences as Louis Stevens in the Disney Channel series Even Stevens. LaBeouf received a Young Artist Award nomination in 2001 and won a Daytime Emmy Award in 2003 for his role. He made his film debut in Holes (2003), based on the novel of the same name by Louis Sachar. In 2004, he made his directorial debut with the short film Let's Love Hate and later directed a short film titled Maniac (2011), starring American rappers Cage and Kid Cudi.
In 2007, LaBeouf starred in the commercially successful films Disturbia and Surf's Up. The same year he was cast in Michael Bay's science fiction film Transformers as Sam Witwicky, the main protagonist of the series. Despite mixed reviews, Transformers was a box office success and one of the highest grossing films of 2007. LaBeouf later appeared in its sequels Transformers: Revenge of the Fallen (2009) and Transformers: Dark of the Moon (2011), both also box office successes. In 2008, he played Henry "Mutt Williams" Jones III in Indiana Jones and the Kingdom of the Crystal Skull, the fourth film in the Indiana Jones franchise. His other films include Wall Street: Money Never Sleeps (2010), Lawless (2012), The Company You Keep (2012), Nymphomaniac (2013) and Fury (2014).
[Krayzie (Flesh)]
Better not be so quick test us,
(May they lay, they lay, may they lay, may they lay, may they lay)
'cause we'll come to kill ya, now
We'll kill ya, now
[Krayzie]
Aw, triple-platinum, nigga, digga
And still thuggin' with the roughest muthafuckas
in my city, and a nigga wonder, "How they still chillin' like that
Ain't you scared of a nigga that's tryin' to jack ya paper, snatch ya"
No, I really wish a nigga would turn and wanna take what's mine
'Cause I got an AK-47 shootin' trey-O times
You didn't think I'm willing to find a way to say
"Oh, my!" but check it out, though
I done made enough money to buy my ghetto a lot of weapons, y'all
And I made it, takin' out my weed. Here, stay high, nigga
So paranoia is factor when a nigga wanna act up
Nigga figure I'm quiet, then he 1ook at my sawed-offs
And they figure they can try me
Like a muthafucka won't swang back or somethin'
Or even pull a nine out my jacket, and start dumpin'
Fuck 'em, I think a nigga see us on the video and playa hate
And say that we ain't true to what we say
But then again, when you see us on the street and playa hate
We bang them fuckin' brains (we bang them brains)
But then, we switch subject
And fuck with them clones that suck the thug dick
Run around foul, tellin' people we stole your style
Muthafucka, we ain't never been in your town
It's all original when it's comin' from the Cleveland criminals
So here we go, got a gun - should I buck 'em on down
Or should I kill 'em when I put the instrumental on
Why they wanna sound like Krayzie, Layzie, Bizzy, Wish and Flesh
I'm so full anguish
Gotta style so cold everybody and their mama wanna claim it
But they can't get the hang of it
Yeah
[Chorus]
[Flesh]
Beat 'er up and you'll sleep when I step so stone-cold
I chalk 'em, coffin off and they frontin' that time
That they shot a nigga straight to the temple
Done a little bit simpler to me and all bodies start steadily fillin'
Get real high, steady droppin' the time on 'em, time from time and again
Here to pick all that know with the Bone it's a party everyday
So say, "Mo," and it's still this strong to brain
I hop on the phone with the homies to see what's happenin' in the hood
It's all good. Niggas, they thug us, smuggle
Roll so deep in they own cut, but they gon' sacks sellin' for life
If you pull a shyste off to the fiends
Then gank 'em and leave 'em hangin' for the sake of come up
Yeah, takin' ends, and we'll split ya, lost it in the stick up, yeah
We better shank 'em, thank 'em, fuck it, I thank 'em, and hope for respect
'Cause shit, he got sacrificed, my snatchin' a life in the midst of the dark
And I sped off with the quickness, strikin'
Send a knife to the back of a playa hater, hate a thug
And they thought that I bruise easily
Come, they go through this little, (spin 'em)
Most of what goes around, comes around
Ooh, bla-bla-bloody mess even though hoes really wanna test us
To the chest, Flesh buck buck, haters guess with a gun
They change in a whole new muthafuckin' attitude
[Chorus]
[Layzie]
Nigga, let me in
Double glock and never about to change, man
To the temple I aim and claim to gain control
Fin to rid your soul, creep or roll
Put some pressure on these hoes that, yo
They pose as foes, gotta let 'em know
Got a nation of my niggas out to back me
Got another nation--killas out to try to jack me
Exactly, what the fuck you thought you was gon' pull
Fool, try to jack a St. Clair true, you lose, you lose
Nigga, I'm a tell you 'bout these haters distraction
They down with the puffin', the passin', 1ookin' for some action
Facts and stacks, never will my mission collapse
If you really want a thug, then you better pin these raps
And a I'm a give a little game in this world that we livin' in it
Sinnin' in it, and it really ain't free to me
You get it how you take it, but the only way you'll make it
Givin' peace to the G-O-D, your Lord
And it really don't mean that evil's gonna quit
Because the hater's gonna hate, and then the real - it's gon' feel
But I bet that after all of y'all fall
that the faker's gonna perish in the fire
Dip, and you know when I'm rollin'
I'm equipped with the Ruger on my hip with the infrared beam
And I gladly put it on ya from the land of California
Leavin' all of y'all goners, if you know what I mean
Yeah, so quick to test us, jump off in the Lexus with K.B
We gonna take a little journey around the world and see what we see
Any y'all niggas comin' with me So, come on
[Wish]
Let me up in here and kill 'em
Feel 'em niggas wanna bite the Bone, bite the Bone
Didn't a muthafucka say I'm wrong
Well I get down for mine, for my nine and blow
We shoot 'em up, buck
Yeah, strange we erupt on playa hation
Anybody hatin' Erase 'em
And biters, everytime I see you on T.V.
it makes me feel good
'Cause I know when we run up on you
you'll see we, we gotta get paid good
Nigga, don't shit come for free in this land of poverty
Bone in harmony, we hungry
Since it's all about money, give Bone a little bit of that evil money
Don't gather the fly shit, fuckin' with Cleve, top of line in my Benz
Should I 1et 'em spin on all of y'all,
should let my 20s spin on all y'all haters
Everything we write, I swear, it's all original
Niggas mad at Bone because we be all original (all original)
[Krayzie (Flesh)]
Better not be so quick test us
(May they lay, they lay, may they lay, may they lay, may they lay)
'Cause we'll come to kill ya, now
We'll kill ya, now